Saturday, February 14, 2009
The Bottom Line: Bridging the Disciplines
Moving on: a private message to me today allows me to take this "discussion" (if that's a fair description) into less personal and more specific areas:
"AK, you just nailed for me why I instinctively disliked synchromysticism, right from the start!"
This was a response to the following:
My next project (if i ever find the time!) is a book on Paratainment - which I believe is where the Masonic Sorcery Theater reaches its fullest expression, and hence is an area very little investigated or written about (Dave McGowan is doing it, and Peter Levenda also, but few others).
Of all the tentacles of the Masonic military-intelligence-medical-industrial-entertainment-complex Leviathan, I think this is the one that has the mass-mind most firmly in its grip.
Every level of the entertainment industry is as precisely controlled (not just monitored but directed and created) as any other intelligence operation - Hollywood, the music and television industry, and probably even sport culture, is one big Psi-Op, and everyone who's part of it is either a witting or an unwitting agent in the agenda.
It is here that synchromysticism, occult research, and paranoid awareness not only intersect, but must be woven together, for a fuller, deeper context to be discovered.
The archetypal resonances of movies and pop culture cannot be understood, or properly described, as belonging to some great "galactic blueprint," UNLESS the crucial element of "paratainiment" (conscious manipulation of media and personalities to a specific end) is first taken into account.
Aeolus has spoken.